What I love writing, almost exclusively, is quiet and feeling music. Nearly all the pieces I've written over the last five years have been in moments when I'm alone and deep in thought, and feeling our Lord's presence very near. Many of the compositions here were also written with people in mind. Some of these include Reflections and Simple Things, both of which were written for friends dear to me. But by far, the song From the Heart, to which this recoding took its name, is the song that personifies much of how I feel for people; and in particular for one person during that period of my life. |
||||||||||||||||
|
||||||||||||||||
Listen |
||||||||||||||||
This was the piece that seriously started the composing streak in me. This song was written for a friend I knew back in college ages ago, Siang Ling- the two very different people we were. In a sense, this composition is a simpler one when compared to the more mature works I wrote in the latter years. |
||||||||||||||||
|
||||||||||||||||
Listen |
||||||||||||||||
The closing piece from my first recording of piano solos, From the Heart, is also my most loved piece. Of all the pieces I've written so far, I think of this piece being the most beautiful. In all my life, I have met people, some of whom I have loved very dearly. There was one person that I in May 1995 that I was deeply attracted to, even if the circumstances of our friendship were not ideal. It's a really quiet and very human song of a gentle and unassuming love I felt for that friend who was a close part at one point of my life. This piece was dedicated to Adeline, a close friend I knew back four years ago. |
||||||||||||||||
|
||||||||||||||||
Listen |
||||||||||||||||
The Waltz in F Major is scored in the traditional style of Chopin, with a free rubato tempo. The main melody is distinctly modern though, sounding like a quiet dance between two people in a ball room. One experienced, and the other learning its steps slowly but surely. The waltz consist of six parts; the first part sets the theme for the waltz, followed by a variation of the same melody. The third part is a pizzicato-like variation of the theme, followed by a D minor variation of the melody again, but introducing a melodic idea in bars 103-110 that would be echoed in the next variation. The fifth part in A Major starts with a different melody, echoing the central melody again only as the variation closes. The last part repeats the central melody again, but builds up towards a conclusion starting from bars 223, and the dance ends in the traditional ritard and bow by both partners. |
||||||||||||||||
|
||||||||||||||||
Listen |
||||||||||||||||
I am reminded of a story once told to me by a visiting pastor to my school when I was 10. He asked whether we pictured our Christian lives as one in which there were exuberant joy, festivities, dancing and noise. Or one where thunder and lightning were raging amidst a land of chaos and misery- but in the middle of the storm laid a tree with a family of doves quietly nesting in comfort, despite the raging weather outside. I think of my relationship with God as the latter- more than anything else, knowing God has filled me with a sense of purpose in the present, and hope for the future in this less-than perfect world of ours. God's Love, later renamed to simply Eve, written on the Christmas eve of 1994, sings of this beauty of His love for us, and how it always remains there, even when we make the most terrible mess of our lives. |
||||||||||||||||
|
||||||||||||||||
This was a short piece I wrote in July 1994, somewhere right at the start of my last year of study in the University. It's a modest piece with a lovely, quiet sound to it. The perfect sort of thing to listen to at night. |
||||||||||||||||
|
||||||||||||||||
This piece, like many others, was composed ex-tempore, while I was recording the album From the Heart. The main melodic line is actually drawn from a beautiful Christian song, In Moments Like These. |
||||||||||||||||
From the Heart (1995) |